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Well dressed, well spoken, well done: Shah Rukh Khan to daughter Suhana

On Tuesday evening, Suhana was announced the brand ambassador of a beauty brand.

Well dressed, well spoken, well done: Shah Rukh Khan to daughter Suhana

With his daughter and upcoming actor Suhana Khan carrying forward his legacy in showbiz, superstar Shah Rukh Khan is a proud father today.

On Tuesday evening, Suhana was announced the brand ambassador of a beauty brand.


Shah Rukh shared a video of his 22-year-old daughter, who wore a red pant-suit for the launch, speaking at the event.

"Congratulations on Maybelline beta. Well dressed…well spoken…well done & if I may take some credit well brought up! Love u my Lil Lady In Red!!" the "Pathaan" star wrote on Wednesday on his official Twitter page.

At the event, Suhana said she is looking forward to being a part of the label.

"I am super excited and happy to be a part of this brand and I can't wait to make it shine with all of you," she told reporters.

Suhana is foraying into the Indian film industry with Zoya Akhtar’s “The Archies”, the Netflix film based on the iconic American comic series.

Netflix has partnered with Archie Comics for the project, which Akhtar and her longtime collaborator Reema Kagti are producing under their banner Tiger Baby.

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5 mythological picks now streaming in the UK — must-watch

Why UK audiences are turning to Indian mythology — and the OTT releases driving the trend this year

Instagram/Netflix

5 mythological picks now streaming in the UK — and why they’re worth watching

Highlights:

  • Indian mythological titles are landing on global OTT services with better quality and reach.
  • Netflix leads the push with Kurukshetra and Mahavatar Narsimha.
  • UK viewers can access some titles now, though licensing varies.
  • Regional stories and folklore films are expanding the genre.
  • 2025 marks the start of long-form mythological world-building on OTT.

There’s a quiet shift happening on streaming platforms this year. Indian mythological stories, once treated as children’s animation or festival reruns, have started landing on global services with serious ambition. These titles are travelling further than they ever have, including into the UK’s busy OTT space.

It’s about scale, quality, and the strange comfort of old stories in a digital world that changes too fast. And in a UK market dealing with subscription fatigue, anything fresh, strong, and rooted in clear storytelling gets noticed.

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