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BBC Sport presenter Karthi Gnanasegaram, Sanjay Thakrar, Shiraz Boghani, chairman of the Splendid Hospitality Group, Ramniklal Solanki CBE and Kalpesh Solanki
Priyanka Chopra Jonas is set to star in SS Rajamouli’s highly anticipated film, SSMB29, alongside Mahesh Babu, following the monumental success of RRR. Rajamouli’s next project, with a budget exceeding Rs. 1000 crore, is expected to be a massive cinematic experience, and fans are eagerly awaiting the fresh pairing of Mahesh Babu and Priyanka Chopra.
While excitement builds around the film's grand scale, another major talking point is Priyanka Chopra's reported remuneration for the project. The actress, known for her global appeal, is said to be charging a hefty Rs. 30 crore for SSMB29, making her the highest-paid actress in the Indian film industry. This has reportedly pushed Deepika Padukone, who was previously the highest-paid with a salary of Rs. 15 to 20 crore per film, into second place. Priyanka’s fee has surpassed Deepika’s by a significant margin.
The film, which will be directed by Rajamouli, is expected to showcase breathtaking visuals and a compelling story. Rajamouli is known for his larger-than-life approach to filmmaking, and with SSMB29, he is set to deliver another grand spectacle. The movie is rumored to include filming locations in exotic destinations, such as Kenya, in addition to scenes in Hyderabad.
Along with Priyanka and Mahesh, the project has also generated buzz for its potential star-studded cast, with rumors suggesting John Abraham could join the ensemble. Despite reports about Priyanka’s significant paycheck, there has been no official confirmation from the film’s producers regarding her salary. However, her fee underscores the film’s colossal scale and the star power involved.
As production for SSMB29 continues behind closed doors, with tight security measures and NDAs in place, fans eagerly await what is expected to be one of the biggest releases in Indian cinema. With the combination of Rajamouli’s direction, Mahesh Babu’s stardom, and Priyanka Chopra’s global fanbase, SSMB29 is poised for international success.
INDIAN stand-up comedian Shalaka Kurup has made a significant impact on the UK scene, earning multiple awards along the way.
Her unique brand of observational humour has connected with audiences from diverse backgrounds, establishing her as a rising star who is set to shine even brighter in the years ahead.
Now part of the all-female Ladies Of Laughter show, which is currently on tour across the UK, Kurup is excited to entertain audiences.
Eastern Eye caught up with her to discuss the tour and her comedy journey so far.
What first connected you to standup comedy?
I used to do science communication and presenting, but I realised I had absolutely no interest in learning more facts. However, I loved speaking to an audience and telling them stories.
How do you feel being on stage in front of a live audience?
It’s a mix of nervousness and excitement. I’m always excited. There’s no feeling that matches being on stage and making people laugh.
How excited are you about this year’s Ladies Of Laughter tour?
I cannot wait. This is one of the main ways I get to perform to diverse audiences across the country. I love seeing what people find funny in different places. Also, Desi Central audiences are always up for a good time.
What can we expect from your upcoming performance?
Lots of cheeky jokes, some audacity, and a chance to see someone transform into an aunty.
What is it like being on an all-female line-up in a comedy show?
It’s honestly my favourite type of show. There aren’t enough of them. Having a safe space with other female comedians who share the experience of being women in a male-dominated field is incredible. There’s a lot of camaraderie and care in these shows, and you end up making lifelong friends who will support you throughout your comedy journey.
How much of your comedy is based on real-life personal experiences?
Pretty much all of it. I don’t know how to write about anything else. Does that make me a narcissist? I don’t know.
Don’t answer that! Do you ever feel like you’re revealing too much about yourself on stage?
Sometimes, yes, but if it’s a good joke, then why not?
Would you describe yourself as a fearless comedian?
Not at all. I’m scared all the time. It’s hard to be fearless when you care this deeply about your craft.
Who are your comedy heroes?
There are too many to name, but two people who stand out for supporting other comedians are Sikisa and Eshaan Akbar. They inspire me with their kindness and talent.
What inspires you as a standup comedian?
The laughter from an audience when you tell a new joke, the work of other comedians, and the jokes they write.
Why should we all attend the Ladies Of Laughter shows?
There are many reasons to support female comedians – from the challenges we face to the stereotypes we battle and the hard work it takes to be seen in this industry. But the main reason is simple – to have a good time. Every show will be a blast, and you will hear jokes and ideas you have never heard before.
LOL: The Ladies Of Laughter at Beck Theatre in Hayes on Sunday (2), The Glee Club, Birmingham (February 15), Warwick Arts Centre, Coventry (February 15), The Y Theatre, Leicester (February 16), Harrow Arts Centre (March 7 and April 25), Hat Factory, Luton (April 25). www. luventertainment.co.uk
INDIAN prime minister Narendra Modi's government will present the annual budget on 1 February, with a focus on economic growth, job creation, and trade policies amid global uncertainties.
Finance minister Nirmala Sitharaman will deliver the budget speech.
The budget comes as India faces slowing economic growth, inflation concerns, and trade disruptions. Economists expect measures to boost disposable income, support local manufacturing, and provide relief to the middle class.
"We could see a nod from the government, to signal to the middle class that we are aware of your challenges and we would like to raise disposable incomes, which increases spending power," Priyanka Kishore, director and principal economist at Asia Decoded, said.
The government is considering personal income tax cuts, Reuters reported last month. Tariff reductions on key imports to encourage domestic manufacturing are also expected. Dhiraj Nim, an economist at ANZ, said tax cuts on fuel and cooking gas may also be introduced.
India’s job market remains a concern despite strong economic growth. Last year’s budget allocated nearly £19.4 billion over five years for job creation programmes, but these schemes have not yet been implemented due to delays in finalising details.
"They will focus more on direct measures for employment generation and skilling," Kishore said.
Trade policies and global supply chain strategy
India is also preparing for potential disruptions from US trade policies. To support local production, the government may offer lower tax rates to companies manufacturing in India, reduce import duties on intermediate goods, and increase tariffs to counter cheaper imports from China, Nomura economists said.
India sees an opportunity to gain a larger share of the global supply chain due to trade shifts. A government source said India is considering import tax cuts on components used in local production, including mobile phone parts like printed circuit board assemblies, camera module components, and USB cables.
Additionally, the government may introduce incentives for the textile and garment industry, including financial support and tariff reductions on key inputs. This comes as Bangladesh’s exports face challenges due to political instability.
Infrastructure spending will likely remain a priority. Government spending in this sector has played a key role in recent economic growth, but the current fiscal year’s £102.8 billion infrastructure allocation is expected to fall short of targets, according to ICRA economists.
The budget is also expected to increase spending for the agriculture sector by around 15 per cent, the highest increase in six years, alongside moderate increases in key subsidies to support rural economic recovery.
Fiscal strategy and growth outlook
India plans to project higher economic growth in the budget, according to Reuters. The economy is expected to grow between 6.3 per cent and 6.8 per cent in the next fiscal year, lower than the 8.2 per cent growth recorded in 2023-24 but in line with global forecasts.
"Headwinds to growth include elevated geopolitical and trade uncertainties and possible commodity price shocks," the Finance Ministry said in its annual economic survey.
The government will have to balance spending measures with its fiscal constraints. India’s fiscal debt-to-GDP ratio remains above 80 per cent, which is high for emerging markets, Nim said. The fiscal deficit target for the next financial year is expected to remain at 4.5 per cent of GDP, according to a Reuters poll.
With limited fiscal space, the burden of economic recovery may shift to the Reserve Bank of India, analysts said. The government is expected to borrow £132.7 bn in the next fiscal year, slightly higher than this year’s £130.2 bn borrowing plan.
Focus on women, the middle class, and social policies
Modi has indicated that the budget will include measures to support women, the middle class, and lower-income groups.
Speaking before the budget session, he referred to Lakshmi, the Hindu goddess of wealth, and said he prayed for "special blessings for the poor and middle class."
He also stressed the need for ensuring equal rights for women, free from religious and sectarian divides. "Significant decisions towards this goal will be taken during this session," Modi said.
India's president Droupadi Murmu, in her address to parliament, echoed the government’s focus on economic policies benefiting the poor, middle class, youth, women, and farmers.
"The nation is witnessing major decisions and policies being implemented at an extraordinary speed, with the highest priority given to the poor, middle class, youth, women, and farmers," she said.
The budget session will also include discussions on various policy bills and proposals. Modi said these measures will strengthen the country’s economy and governance framework.
(With inputs from agencies)
Jennifer Love Hewitt recently reflected on her early years in Hollywood, revealing how she was sexualised as a teenager without fully understanding it at the time. In a candid conversation on Mayim Bialik’s 'Breakdown' podcast, the 45-year-old actress shared that at just 16, she was subjected to inappropriate comments from grown men about her body, particularly her breasts. These remarks were often made openly in interviews, which Hewitt now finds disturbing, given the context of her age.
Hewitt, who became famous after starring in I Know What You Did Last Summer in 1997, recalled how the attention on her physical appearance increased after she appeared on the cover of 'Maxim' in 1999. Men would approach her, mentioning how they took her magazine on trips, but at the time, she didn’t fully grasp the sexual undertones of these comments. “I didn’t know what that meant,” she admitted, adding that it felt strange to be labelled a sex symbol before even knowing what being "sexy" meant.
Jennifer Love Hewitt recalls the unsettling experience of becoming a sex symbol before she even understood what it meantGetty Images
As her career progressed, jokes about her body became normalised, especially after the release of 'I Know What You Did Last Summer'. Hewitt recalled how uncomfortable jokes about her body were common during interviews, with people laughing along as if it was a joke. “It didn’t register with me that this is a grown man talking to me and passing inappropriate comments about my body on national television,” she reflected. While she doesn’t blame anyone for the comments made at the time, she acknowledged that it was a period where such behaviour was accepted as the norm in Hollywood.
Looking back as an adult, Hewitt explained that when she reached her 30s, she began to evaluate her teenage years more critically. The environment back then made it difficult for her to recognise the inappropriateness of the sexualisation she faced. She also shared that watching the Britney Spears documentary helped her realise how deeply such experiences can affect someone.Today, Hewitt is grateful she didn’t internalise the objectification and expressed appreciation for how society’s views on body image have evolved. She hopes future generations won’t face the same level of sexualisation and that the industry continues to prioritise respect and awareness.With the Premier League producing yet another controversial refereeing decision, it is about time the PGMOL are held accountable.
Bizarre red card dished out at Molineux
Arsenal found themselves on the receiving end of yet another controversial refereeing call, this time away at Wolverhampton Wanderers. The Gunners have now been awarded the most red cards this season, and those decisions were fairly debatable as to whether they should’ve stood. However, the decision at Molineux was categorically the wrong one, and the person who made that call was none other than Michael Oliver, supposedly the best referee this country has to offer.
Firstly, referees should receive criticism, but personal attacks and abuse, which Oliver has allegedly received, cross the line. However, it seems as though the media and refereeing board, PGMOL, are using this to deflect from accountability for poor refereeing decisions.
Eighteen-year-old Myles Lewis-Skelly was left bemused as the victim of the decision. As Wolves looked to counter Arsenal’s corner, the young left-back appeared to trip Matt Doherty in the 43rd minute whilst the ball was still very much in the Wolves half. This tactical foul would surely warrant a yellow card rather than a red. The reasoning for the red was dangerous foul play for a high-studded challenge, but footage illustrated anything but that. Mistakes are part of the game, which is where you look towards VAR for help, but in this instance, VAR official Darren England upheld the on-field decision.
Justice prevailed
Fortunately for Arsenal, the red card didn’t impact the result. During the second half, they played with such intensity you’d have thought they still had 11 players on the pitch. Around the 70th minute, the game became a level playing field as Joao Gomes received a second yellow card for a challenge on Jurrien Timber, which was undoubtedly a far more dangerous tackle than Myles Lewis-Skelly’s and should’ve earned him a straight red and a three-match ban rather than one.
It was substitute left-back Ricardo Calafiori, who replaced Lewis-Skelly, that netted the winner on the half-volley in the 74th minute, rescuing Arsenal from a precarious situation alongside heroic saves from keeper David Raya. Following Arsenal’s appeal, the red card for Lewis-Skelly has since been rescinded, and his three-match ban has been rightly lifted, further proving just how ridiculous the decision was to begin with.
Reaction to the red card
There has been widespread scrutiny towards Michael Oliver’s blunder. Alan Shearer, who’s usually quick to begrudge Arsenal for complaining about referees, described it as one of the worst refereeing decisions he has ever seen. Arsenal legend Ian Wright also expressed his frustration on social media. Moreover, during the Ref Watch segment on Sky Sports, ex-referee Dermot Gallagher also admitted a yellow card should’ve been shown, which is significant as he usually rushes to defend referees after shocking officiating.
PGMOL lack accountability
With the news of a proposed Football Governance Bill that aims to bring an independent regulator to the English game, perhaps we should question whether the independent regulator’s remit should extend beyond the Premier League and also towards the PGMOL. This seems a good idea, not only due to poor refereeing standards and lack of accountability but also in light of the ex-referee David Coote scandal, where he was guilty of alleged substance abuse earlier this season, alongside a leaked video of him using vulgar language when speaking about Jurgen Klopp.
Perhaps with an entity to answer to, the PGMOL will be more cutthroat in response to poor officiating, rather than resting on their laurels and brushing incidents under the carpet.