WOMEN must not see themselves as second class citizens and know that they too have arrived on the scene, Indra Nooyi, who has broken many glass ceilings as a businesswoman, said on Sunday (17).
“It does not matter, where you're born and what your heritage was, I think the US gives you a great opportunity to be anybody you want to be as long as you work hard, you contribute positively to whatever you work on and in and you have integrity,” Nooyi told in an interview.
Nooyi, 64, was on Sunday inducted into the prestigious National Portrait Gallery along with Amazon founder Jeff Bezos, Frances Arnold, Lin-Manuel Miranda and Earth, Wind and Fire.
The induction ceremony was marked with a star-studded gala that included former First Lady Michelle Obama and former Secretary of State Hillary Clinton, among others.
Nooyi said it sends the message to the people that the US is a great country to make your future in.
“I think going forward, people like us paved the path for women to be viewed as equal, powerful and contributing as anybody else. And, so women should not feel like second class citizens. They should know they too have arrived on the scene. And their contributions will also be noticed irrespective of your background,” she said.
“I think that's the key thing. To be an Indian American, to be included among business leaders in the portrait gallery basically says, here is a country that only cares about your contribution, not necessarily where you came from and who you are,” she said.
“It is a pretty special day today. Special because I've just begun to understand the value of the portrait gallery. I didn't know a portrait gallery existed because I had never been to one. So, I came to visit this gallery about a year ago when they informed me about this. I was simply blown away by the fact that such a gallery existed, that portraiture is a way to tell the story of the country and all the people who contributed to it,” she said.
The Portrait Gallery, she said, tells a beautiful story.
“It's not just a picture, it tells a story. If you go downstairs to the portrait gallery, there's a room that is now showcasing the women's suffragette movement. It's a fantastic story of how the whole thing evolved,” she said.
The fact that they are now including businesspeople and they are “beginning to tell the story of how various businesspeople of all kind born here, immigrated here, from whatever country, doesn't matter, all they say is you contributed to some thought or a change in the country, positive change and we appreciate you for that,” she said.
“The fact that they chose to put me as part of that is a bit emotional for me,” Nooyi said.
Responding to a question, Nooyi hoped her induction in the gallery is not just a message for women, but a message for all business people that “whether you are Indian American or any other American or just American American, as long as you conduct business with high integrity, as long as you make a positive change in society of significance, you will be perceived well in history, we will think about you positively.”
“Now, some of us may get included in the portrait gallery, some may not, and that's up to the portrait gallery. But I think, it's a wake-up call to all business people that you're more likely to be noticed if you make a positive change through business in the society, as long as you do it with a sense of commitment and with a sense of purpose,” Nooyi said.
The former Pepsico chief said she was informed about her induction about a year ago, when she made her first visit to the gallery.
“It's a walk down memory lane in history who made history. That it's spectacular,” she said.
“I came on the portrait gallery with gratitude for not anyone portrait, but for groups of portraits that gave me a window into the country. The one that probably is most memorable for me is the photograph of the women's Supreme court justices,” she said.
The president's gallery, she said, is fantastic.
“I mean, as a person, who was not born here, now to go to see the history of presidents and their contribution to the country, you almost, when you look at each of the portraits, the personality of the presidents jumps out at you,” she said.
“You look at George Washington's picture and the way it's lit and the way it's displayed, you feel like you were there, and George Washington was there. I say this because I was here when President Bush was president. I look at his portrait. Since I know him, I look at him and I go, I can understand how the portrait captured the essence of that president,” she explained.
“If you work backward to the presidents you know, like President Obama, very thoughtful portrait. You go back and look at each of the presidential pictures, you get a window into that precedent, which was fascinating for me,” she added.
But then as one goes around the gallery, it's not an individual portrait as opposed to how they accumulated portrait, she said.
“The women's suffragette movement is a fantastic room which tells a story. It's like a 'movie in still'. You go around and you hear the story and you see what really happened. It's not a movie. It's real life. And in many ways, you want to thank those women because they made the path for people like me. So I look at this and I go, thank God for some of these people who showed the way for women like me,” Nooyi said.
Raj almost wasn’t Indian, Tom Cruise was the idea.
The title? Kirron Kher just threw it out there.
Pigeon scene: Totally SRK winging it. Kajol freaked a little.
Mehendi Laga Ke Rakhna got added last minute. Can you imagine?
Maratha Mandir. Playing. Every day. Since 1995. Fans love it.
You might think you’ve seen it all in DDLJ. Raj, Simran, the songs, yes, we all know them. But there’s a lot behind the camera that most people have no clue about. Some of it was luck. Some of it Shah Rukh Khan just winging it. And some… well, Aditya Chopra being a little crazy. Here’s the stuff nobody really tells you.
How Dilwale Dulhania Le Jayenge became a Bollywood legend: 10 untold stories Youtube Screengrab
1. Raj almost had a totally different face
Aditya Chopra literally imagined an American guy and an Indian girl and had Tom Cruise in mind. But then his dad, Yash Chopra, stepped in and said, “Nope, Indian boy.” And then the story completely changed. Suddenly, it wasn’t Hollywood, but NRIs, family, love, and all the cultural stuff that actually hits you in the gut.
2. Kirron Kher named the film
That long, unforgettable title? Shah Rukh Khan thought it was clunky. But the rookie director, Aditya, heard it from Kirron Kher and went with his gut. And yes, she got a credit in the opening titles.
3. Script written in a month
Three years of thinking, then all of a sudden, the final script was done in three or four weeks. Can you imagine? The blueprint for the biggest romantic film of the ’90s, completed in less than a month.
4. Accidental magic
That pigeon-feeding scene with Amrish Puri? Totally improvised by Shah Rukh. Even Kajol’s shocked face in Ruk Ja O Dil Deewane was not planned. Aditya kept it a secret to get a real reaction. And it worked big time. Fans don’t even know half the story behind that moment.
5. Director hiding in a car
During the Zurich car ride, Aditya wasn’t just lurking behind the camera. No. He was lying flat in the back of the red convertible, flat out of frame, watching every move. Can you imagine lying like that for hours? Wild.
6. Raj’s leather jacket wasn’t a costume
Raj’s iconic leather jacket? The one every guy copied? Uday Chopra just bought it from a Harley shop in California and cost 400 bucks. Not a big fancy wardrobe magic, it was just a cool jacket he found.
7. Mehendi Laga Ke Rakhnaalmost didn’t happen
That wedding song everyone hums? Almost didn’t exist. It got added at the very last second, borrowed from another Yash Raj project. Imagine weddings without it!
8. Kajol’s towel moment
Kajol wasn’t a fan of that towel scene. She seriously didn’t want to shoot it, but the director insisted. And that white skirt in the song? The director said it looked frumpy. Manish Malhotra, the designer, had to take scissors and cut it shorter on the spot.
9. Shah Rukh’s prophecy
After reading the script, Shah Rukh told Yash Chopra: “This will define my stardom.” And he nailed it. Spot on.
10. The first “making of” documentary
Before YouTube, before making-of reels, they aired a half-hour documentary on Doordarshan.
Chaudhary Baldev Singh Dilwale Dulhania Le Jayenge Shah Rukh Khan Kajol www.easterneye.biz
24*7- for 365 days
And then there's Maratha Mandir. This old theater in Mumbai. It's still showing the film. Every. Single. Day. For 30 years. Tickets are 50 rupees. Fans go to watch it like a ritual, some book the gallery for birthdays or anniversaries. People even fly in from abroad. Iconic, right?
30 years later, Raj and Simran are on stage in Come Fall in Love – The DDLJ Musical in Manchester. 18 original English songs. Same story. Same magic. New audience. And people are loving it.
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