England cricket chiefs on Wednesday (3) recommended fines totalling £37,000 for players charged in connection with the explosive Yorkshire racism scandal.
Pakistan-born bowler Azeem Rafiq, 32, went public with allegations of racism and bullying in September 2020, related to his two spells at the county.
A Cricket Discipline Commission panel in March upheld charges against five former Yorkshire players relating to the case, including retired England Test stars Tim Bresnan and Matthew Hoggard.
Ex-England international Gary Ballance, who subsequently played for his native Zimbabwe, had admitted using racist language prior to the hearing in London.
Former England captain Michael Vaughan was the only one of the seven players initially charged to appear at the hearing, and was cleared of using racist language "on the balance of probabilities".
The England and Wales Cricket Board (ECB) said Ballance, who retired from cricket last month, should be fined £8,000 and requested an eight-week suspension.
The ECB took into account the fact the 33-year-old had admitted the charge, and apologised, as it gave its recommendations to the panel.
"We understand there has been a significant impact on Mr Ballance's mental health, and that in April 2023, Mr Ballance announced his retirement from professional cricket," said ECB lawyer Jane Mulcahy.
"So the ECB therefore suggests there be a reprimand, and Mr Ballance be fined £8,000, reduced from £12,500 to take in effect of his admissions."
The ECB also recommended the former Test batter attend a racism and discrimination course.
Ballance's lawyer, Craig Harris, argued the financial penalty should be reduced due to the cost of being involved in the proceedings -- he lost his job as a player at Yorkshire, lost a sponsorship contract, and was not considered for England selection.
Harris also pointed to the established culture in the Yorkshire dressing room, including widespread use of a racial slur, and said Zimbabwe-born Ballance was himself the subject of discriminatory remarks.
He said: "This is not a case where Mr Ballance says the words were not discriminatory, or that he has some sort of intellectual deficit. It is accepted he ought to have known better."
But he added: "But they (rules) were breached by someone living and playing within a culture in which the use of such language had become normalised."
The ECB recommended a range of punishments for the five other players facing charges, including fines and suspensions.
Yorkshire have admitted to four charges including a "failure to address systemic use of racist and/or discriminatory language over a prolonged period". The sanctions against the club are expected to be announced next month.
CDC chairman Tim O'Gorman said it would take several weeks before the full decisions were made.
Forum brings UK and Chinese film professionals together to explore collaborations.
Emerging British-Asian talent gain mentorship and international exposure.
Small-scale dramas, kids’ shows, and adapting popular formats were the projects everyone was talking about.
Telling stories that feel real to their culture, yet can connect with anyone, is what makes them work worldwide.
Meeting three times a year keeps the UK and China talking, creating opportunities that last beyond one event.
The theatre was packed for the Third Shanghai–London Screen Industry Forum. Between panels and workshops, filmmakers, producers and executives discussed ideas and business cards and it felt more than just a summit. British-Asian filmmakers were meeting and greeting the Chinese industry in an attempt to explore genuine possibilities of working in China’s film market.
UK China film collaborations take off as Third Shanghai London Forum connects British Asian filmmakers with Chinese studios Instagram/ukchinafilm
What makes the forum important for British-Asian filmmakers?
For filmmakers whose films explore identity and belonging, this is a chance to show their work on an international stage, meet Chinese directors, talk co-productions and break cultural walls that normally feel unscalable. “It’s invaluable,” Abid Khan said after a panel, “because you can’t create globally if you don’t talk globally.”
And it’s not just established names. Young filmmakers were all around, pitching ideas and learning on the go. The forum gave them a chance to get noticed with mentoring, workshops, and live pitch sessions.
Which projects are catching international attention?
Micro-dramas are trending. Roy Lu of Linmon International says vertical content for apps is “where it’s at.” They’ve done US, Canada, Australia and next stop, Europe. YouTube is back in focus too, thanks to Rosemary Reed of POW TV Studios. Short attention spans and three-minute hits, she’s ready.
Children’s and sports shows are another hotspot. Jiella Esmat of 8Lions is developing Touch Grass, a football-themed children’s show. The logic is simple: sports and kids content unite families, like global glue.
Then there’s format adaptation. Lu also talked about Nothing But 30, a Chinese series with 7 billion streams. The plan is for an english version in London. Not a straight translation, but a cultural transformation. “‘30’ in London isn’t just words,” Lu says. “It’s a new story.”
Jason Zhang of Stellar Pictures says international audiences respond when culture isn’t just a background prop. Lanterns, flowers, rituals, they’re part of the plot. Cedric Behrel from Trinity CineAsia adds: you need context. Western audiences don’t know Journey to the West, so co-production helps them understand without diluting the story.
Economic sense matters too. Roy Lu stresses: pick your market, make it financially viable. Esmat likens ideal co-productions to a marriage: “Multicultural teams naturally think about what works globally and what doesn’t.”
The UK-China Film Collab’s Future Talent Programme is taking on eight students or recent grads this year. They’re getting the backstage access to international filmmaking that few ever see, including mentorship, festival organising and hands-on experience. Alumni are landing real jobs: accredited festival journalists, Beijing producers, curators at The National Gallery.
Adrian Wootton OBE reminded everyone: “We exist through partnerships, networks, and collaboration.” Yin Xin from Shanghai Media Group noted that tri-annual gathering: London, Shanghai, Hong Kong create an “intensive concentration” of ideas.
Actor-director Zhang Luyi said it best: cultural exchange isn’t telling your story to someone, it’s creating stories together.
The Shanghai-London Screen Industry Forum is no longer just a talking shop. It’s a launchpad, a bridge. And for British-Asian filmmakers and emerging talent, it’s a chance to turn ideas into reality.
By clicking the 'Subscribe’, you agree to receive our newsletter, marketing communications and industry
partners/sponsors sharing promotional product information via email and print communication from Garavi Gujarat
Publications Ltd and subsidiaries. You have the right to withdraw your consent at any time by clicking the
unsubscribe link in our emails. We will use your email address to personalize our communications and send you
relevant offers. Your data will be stored up to 30 days after unsubscribing.
Contact us at data@amg.biz to see how we manage and store your data.