Skip to content
Search

Latest Stories

Zayn Malik says he doesn't call himself a Muslim

British singer Zayn Malik has courted controversy for saying he doesn't call himself a Muslim.

Malik, formerly of popular boy band One Direction, told British Vogue that he's not "professed to be a Muslim."


"To be honest, I've never spoken publicly about what my religious beliefs are. I'm not professed to be a Muslim."

He also added that his religious beliefs were very personal and he wouldn't want to talk about it as he could get into trouble.

In his freewheeling interview, Malik also spoke about his supermodel girlfriend Gigi Hadid, and praised her for being organised.

“She’s super-organised and I’m really not,” he said. “It helps that she can get things together for me a little bit. I lean on her a lot.”

Malik and Hadid split up briefly earlier this year. But the duo soon reconciled.

His single Let Me was about Hadid and during an interview with Ryan Seacrest, he said he wanted to be with the model forever.

“I was in love, and I think that’s pretty evident,” the 25-year-old singer said. “I was aspiring to be in love with someone for the rest of my life and the rest of theirs, as we all do. Things change and we move forward in life. Times change, but that’s what I was thinking when I wrote it.”

“We go through experiences so we have memories and stories and things to write down and contemplate and think about,” Malik continued to Seacrest. “You get to really put your experience into something. It should be remembered forever.”

More For You

Samir Zaidi

Two Sinners marks Samir Zaidi’s striking directorial debut

Samir Zaidi, director of 'Two Sinners', emerges as a powerful new voice in Indian film

Indian cinema has a long tradition of discovering new storytellers in unexpected places, and one recent voice that has attracted quiet, steady attention is Samir Zaidi. His debut short film Two Sinners has been travelling across international festivals, earning strong praise for its emotional depth and moral complexity. But what makes Zaidi’s trajectory especially compelling is how organically it has unfolded — grounded not in film school training, but in lived observation, patient apprenticeships and a deep belief in the poetry of everyday life.

Zaidi’s relationship with creativity began well before he ever stepped onto a set. “As a child, I was fascinated by small, fleeting things — the way people spoke, the silences between arguments, the patterns of light on the walls,” he reflects. He didn’t yet have the vocabulary for what he was absorbing, but the instinct was already in place. At 13, he turned to poetry, sensing that the act of shaping emotions into words offered a kind of clarity he couldn’t find elsewhere. “I realised creativity wasn’t something external I had to chase; it was a way of processing the world,” he says. “Whether it was writing or filmmaking, it came from the same impulse: to make sense of what I didn’t fully understand.”

Keep ReadingShow less