Skip to content
Search

Latest Stories

Zoe Harveen Kaur: Painting a perfect picture of girl power

Zoe Harveen Kaur: Painting a perfect picture of girl power

THE RAPID CREATIVE RISE OF DIGITAL ARTIST, SOCIAL MEDIA STAR AND RADIO HOST ZOE HARVEEN KAUR

WHETHER it is designing jewellery, creating eye-catching digital artwork, entertaining social media followers with the popular Brown Girl Memes or hosting an empowering global radio


show, Zoe Harveen Kaur has a strong connection to creativity.

The imaginative bond began after she created a portrait of Mother Teresa as a kid, which was so good that it is still hanging in the reception area of her elementary school. The rapidly rising Canadian star kicked on from there to forge an impressive career that has mixed up meaningful art with making an impact on social media and across the airwaves on her uniquely titled radio show Desi Girl Horrors. She has also become a strong symbol of girl power with her fearless approach and seems unstoppable.

Eastern Eye caught up with Zoe Harveen to discuss her amazing artwork, radio show, brown girl memes, future plans, desi girl horrors and the best advice she ever got.

What led you towards the unique message-driven digital art that you create?

I’m not sure if anything specific led me there. I think it was the fact I wanted to represent myself in artwork and create pieces that represent my cultural identity, whether that be the North American influence or my south Asian heritage. My relationship with my cultural identity definitely fuels my artwork and because I have had such a relatable experience with my identity, my art is able to share messages, and allows for others to feel represented as well.

Lead inset GARAM GIRL by ZHK

What inspires your eye-catching artwork?

My environment inspires me a lot! I’m really inspired by my own south Asian culture and heritage, as well as current trends and notable topics. I love pulling from different places to create my art, but I think the majority of inspiration comes from my environment, friends and family.

What has been one of the most memorable moment in your art journey?

I think growing my art style is the most memorable. I have a very consistent art style, no eyes and big

bushy brows, but I’m really excited about my current growth and think it is the most memorable because I’m trying so many new things.

How much does it mean to you that so many connect with your artwork?

It means a lot to me. When I started @zhkdesigns, I never had the intention of influencing anyone. I simply wanted to share my work. Now, I feel like I have learnt so much from the community and am able to represent people, which ultimately connects so many to my work. Having this platform is incredible because I can represent diverse identities and still be myself and represent myself.

Which is your own favourite piece that you have created?

I think my favourite piece is one called It’s Chai, Not Chai Tea. That piece resonated with a lot of people and even turned into a series on my page. I was so frustrated with non-south Asians embracing south Asian culture without knowing the proper pronunciation, terminology and appreciation for the culture, so I created a series that corrected those mistakes with the hopes of growing appreciation versus appropriation. The series includes pieces like It’s called Mehendi, not Henna Tattoo and It’s called Naan, not Naan Bread.

Lead inset art work CHAI NOT CHAI TEA by ZHK

Who is your own art hero?

Alongside many south Asians, my favourite artist and the artist who makes me feel proud is Maria Qamar, the name behind @hatecopy! She is an incredible artist – her work is fabulous! It represents, entertains and teaches the south Asian community and beyond about common south Asian experiences, especially as a brown woman. Not to mention that she’s Canadian as well. She is hands down my art hero and I think she truly paved the way for south Asian creatives in mainstream media.

What is the future plan for your artwork?

As of now, I don’t have a particular plan for my work, but the biggest takeaway is growth. As life progresses, so does my artwork and style, so I think my plan is to keep growing and exploring my skillset.

What led towards the creation of Brown Girl Memes?

One rainy afternoon, I was DMing with Sanjana from @browngirlgang, one of my favourite creators ever. We had been messaging a lot about collaborations and our flourishing friendship, and one day she messaged about a Valentine’s Day card I had made. The card read, “Do you want to be my valentine? Because you’re asking for it, you’re dying for it!” with a cut-out of Pooja on it. Sanjana found it hilarious, and we started chatting about brown meme pages. We realised that there weren’t any for women, by women, so we wanted to make our own, but we needed someone specific to be on our team – Seerat Saini. At the time, Seerat’s Twitter was popping off, with the most hilariously relatable tweets about brown girls. Immediately after our conversation, Sanjana and I contacted Seerat and started planning out our page.

What happened next?

It was incredible. From the moment we connected, we knew Brown Girl Memes meant way more than an Instagram page. We wanted to represent brown women without misogyny, racism, sexism and so much more that we found in other meme pages. Brown Girl Memes is an inclusive space for all brown women (or any gender), free from racism or sexism and packed with girl power vibes to celebrate brown women.

Tell us something about your radio show Desi Girl Horrors?

My radio show, which airs every Monday on Rukus Avenue Radio, has myself and a guest talk about desi girl horrors we face in our everyday life. Topics include dating, identity, mental health, careers and so much more, with guests such as Sanjana Nagesh, Ravina Toor and Monica Vaswani. My show is special because I am learning how to translate the messages my art holds into verbal conversations, and to push it even further, I add a guest to my show. This has been an incredible experience, as I’m able to learn something new from my guest and about the topic, which I can then reintroduce into my artwork. The show has changed my perspective on how I express my culture. I continue to grow every time I record a new episode.

What inspired the Desi Girl Horrors title?

The title is from an art series I made named Desi Girl Horrors where I would illustrate south Asian women experiencing life changes within dating, careers, mental health, self-expression, sexism and so much more. The series is one of my favourites on the page. I love exploring new topics and the series is a great way for south Asian women to connect and draw from each other’s experiences.

Would you give an example of a desi girl horror?

A desi girl horror is something that desi women find intimidating, scary, disgusting or uncomfortable. For example, one of my episodes speaks to micro aggressions and stereotypes. In that episode, I explain that stereotypical comments make me very uncomfortable and shocks me to my core, therefore, it’s a desi girl horror. It’s something that needs to be addressed and discussed through humour, history and personal experiences.

Lead inset art work EMBRACE YOURSELF by ZHK

Is it fair to say that girl power informs your work?

Yes! Girl power is something I truly value. As women, especially south Asian women, we should support and uplift one another. I want my work to inspire, encourage, empower and entertain south Asian women, while representing diverse identities, which I think I do well.

Would you say you are fearless?

I think I’m fearless, even though I do have a lot of fears. Although I do have fears and internal obstacles, I use that energy to keep creating and allow myself to explore. I love taking chances, but I go into every experience knowing that I will learn, so even if I’m scared, I know I can overcome anything.

What is the best advice you ever got?

The best advice I’ve ever received was ‘learn from every experience’. I’m not sure why that advice stuck with me, but I think about that all the time, especially when I’m trying new things. Even though some experiences are tough and seem like the end of the world, there is always something to learn and take from it. Even the best experiences have teachable moments and I value that a lot.

What is your master plan?

The future of ZHK is still a mystery to me. There’s so much that I want to do! Of course, you can tune into Rukus Avenue Radio for my Desi Girl Horrors show. In the meantime, I will continue to make artwork, design jewellery and try exploring my art style.

What is your own idea of happiness?

My idea of happiness is to fulfil all of my goals and to try everything. I just want to be able to say that I’ve tried everything I wanted to try in life.

Visit: Instagram: @zhkdesigns & @ browngirlmemes and www.zhkdesigns.ca

More For You

Brasil! Brasil! at the Royal Academy: A journey through Brazilian modernism

Banana Plantation (1927) by Lasar Segall

Brasil! Brasil! at the Royal Academy: A journey through Brazilian modernism

THE Royal Academy has a wonderful, new exhibition called Brasil! Brasil! The Birth of Modernism featuring more than 130 works by 10 Brazilian artists from the 1910s to the 1970s.

As with all great art, it gives you a real feel for Brazil.

Keep ReadingShow less
'Guide' at 60: The timeless journey of Bollywood’s boldest classic

Waheeda Rehman and Dev Anand in Guide (1965)

'Guide' at 60: The timeless journey of Bollywood’s boldest classic

ASJAD NAZIR

THE most common description of the 1965 classic Guide across the decades is that it was way ahead of its time, and that still holds true today. The marvellously multi-layered movie, based on the best-selling novel The Guide, tackled a range of themes, including adultery, love, betrayal, heartbreak, and a painful path towards redemption.

India’s official entry for the Oscars revolved around a stifled woman walking out of an unhappy marriage and having a live-in relationship with another man, only to be betrayed again after he is imprisoned. The man in question embarks on an unexpected journey towards spiritual redemption.

Keep ReadingShow less
LGBTQ+ representation in global media: How queer stories are evolving

A celebration of queer stories worldwide – diverse, powerful, and unapologetically authentic

LGBTQ+ representation in global media: How queer stories are evolving

Media has transformed from just a form of entertainment into a dynamic platform for representation, validation, and social change. For young queer individuals, seeing their identities reflected authentically on screen can be nothing short of transformative. Positive, nuanced portrayals of queer lives not only encourage self-acceptance but also challenge outdated societal norms, making space for the beautiful diversity of human experiences.

Over the last few years, queer representation in global media has undergone a remarkable evolution, shifting away from harmful stereotypes and embracing stories that are rich, real, and relatable.

Keep ReadingShow less
Female-led blockbusters: A global shift in cinema's power dynamics

Alia Bhatt in a powerful moment from Heart of Stone

Getty Images

Female-led blockbusters: A global shift in cinema's power dynamics

For decades, Hollywood clung to the idea that only male-led blockbusters could guarantee success. But that myth is rapidly crumbling. From Barbie and Wonder Woman to Gangubai Kathiawadi and Hi, Mom, female-led films are not just smashing box office records but also becoming cinematic game-changers. Audiences worldwide are embracing powerful female protagonists, proving over and over again that women aren’t just side characters in cinema’s biggest spectacles: they’re the main event.

She-roes of the box office

One of the biggest and visible examples of this shift came in 2023 with Barbie, directed by Greta Gerwig and starring Margot Robbie. The film became a cultural phenomenon, grossing over $1.4 billion worldwide, making it the highest-grossing film of the year. Beyond its box office dominance, Barbie challenged stereotypes, delivering a witty yet poignant critique of gender roles while celebrating female empowerment.


Superhero films, again a traditionally male-dominated genre, have also seen a slow yet massive transformation. Wonder Woman, starring Gal Gadot and directed by Patty Jenkins, was a massive hit, earning $822 million globally. It proved that a female-led superhero film could be both critically acclaimed and commercially successful, paving the way for movies like Captain Marvel, which grossed $1.1 billion, and Black Widow, starring Scarlett Johansson, which dominated streaming and theatrical revenues.

Bollywood's leading ladies turned box office powerhouses

The change isn’t just happening in Hollywood. Bollywood and Mollywood industries have seen a surge in successful female-led films. Sanjay Leela Bhansali’s Gangubai Kathiawadi , starring Alia Bhatt, was a game-changer. Based on a real-life story, the film showcased a woman’s rise to power in a male-dominated world and earned ₹209 crore ($25 million) globally again proving that audiences are eager for narratives centred on strong female protagonists.


Similarly, Darlings, a dark comedy starring Alia Bhatt and Shefali Shah, tackled the sensitive issue of domestic violence while performing well on Netflix. The film was praised for its unique and contemporary storytelling and strong female performances. Other Bollywood successes include Vidya Balan’s Kahaani, Taapsee Pannu’s Thappad, and Kangana Ranaut’s Queen, all proving that female-led narratives did resonate with audiences.

Box Office triumphs of women in malayalam cinema

The Malayalam film industry, known for its realistic storytelling, has also embraced strong female leads in recent years. Films like The Great Indian Kitchen challenged deep-rooted patriarchal norms through its raw portrayal of domestic expectations placed on women. The movie, starring Nimisha Sajayan, received international acclaim for its bold narrative.


Uyare, starring Parvathy Thiruvothu, brought to light the inspiring story of an acid attack survivor who fought against all odds to reclaim her dreams. Similarly, 22 Female Kottayam became a landmark film, showcasing a woman’s journey of revenge against those who wronged her. Additionally, the recent releases like Ullozhuku and Attam, which even bagged the national award continue this trend by bringing out complex female characters and their emotional journeys. These films are not just critically successful but also commercially viable, proving that audiences in Kerala and across the globe, thanks to OTT platforms, are open to powerful, female-driven narratives.

Global blockbusters: Women leading the way

Beyond Hollywood and Bollywood, several international films have demonstrated the power of female leads. In China, Hi, Mom, directed by and starring Jia Ling, became one of the highest-grossing films of all time, earning over $850 million. The film, which blends comedy with deep emotional storytelling, resonated with audiences worldwide.

In South Korea, Kim Ji-young, Born 1982 became a landmark feminist film, sparking discussions about gender inequality in Korean society. Starring Jung Yu-mi, the movie adapted a bestselling novel and became a major box office success, earning over $36 million.

French cinema has also seen powerful female-led films gaining international acclaim, such as Portrait of a Lady on Fire, directed by Céline Sciamma. Though not a blockbuster in terms of earnings, its impact on global audiences and critics was immense, proving that female-centric storytelling can be deeply influential.


But why are female-led films thriving all of a sudden?

  • Audience Demand: Viewers today want diverse and inclusive storytelling. Female audiences, long underserved in blockbuster cinema, are now a driving force at the box office.
  • Streaming Boom: Platforms like Netflix, Prime Video, and Disney+ have provided opportunities for unconventional female-led stories that might not have been greenlit in traditional cinema.
  • Industry Support: More women are taking leadership roles in filmmaking. Directors like Greta Gerwig, Chloé Zhao, Payal Kapadia and Patty Jenkins among many others are reshaping the industry with their unique and fresh perspectives.
  • Cultural Conversations: The #MeToo movement increased awareness of gender representation in media and pushed the industry to embrace strong female narratives.
The future is female : Celebrating women on screen

The success of these films is not just a trend—it’s a shift in the industry. Projects like Deadpool & Wolverine, Moana 2, Jee Le Zaraa and many more show that female-driven stories are here to stay.

From Hollywood to Bollywood and beyond, female-led blockbusters are proving their staying power. They are not just breaking box office records; they are breaking barriers and redefining what a blockbuster can be. As more studios invest in these narratives, audiences can look forward to a future where women continue to dominate the big screen—not just as characters, but as storytellers shaping cinema’s next era.
Keep ReadingShow less
Nayantara Roy’s debut novel traces
love and secrets in family home

Nayantara Roy

Nayantara Roy’s debut novel traces love and secrets in family home

AMIT ROY

NAYANTARA ROY, who lives in Los Angeles – where she has a satisfying creative job as a television executive – has been talking to Eastern Eye about her debut novel, The Magnificent Ruins.

Roy has been safe from the fires where she lives in Silverlake in the east side of the city. But she can see the orangetinged cloud in the sky – “the situation is still dire in LA”. Santa Monica, where she works, has been threatened.

Keep ReadingShow less